Welcome to Casa Mel – Our ground floor apartment between Playa Flamenca and Punta Prima! Such incongruent juxtapositions — which include a tempting plate of brownies, a junior Girl Scout, a Native American in profile, and quotes of masterworks such as an Aztec mosaic — critique the trivialization of Chicano culture by mainstream American advertising and allude to the rich cultures that stereotypes obscure. We are not announcing a reopening date at this time and will provide updates on our websites and social media. A new traveling exhibition from the Smithsonian American Art Museum, "Our America: The Latino Presence in American Art," now at the Utah Museum of Fine Arts, seeks to provide an a In 2012, the Smithsonian purchased its second work by Casas, Humanscape 62 (Brownies of the Southwest). By Mel Casas, 1969. Father and Son (Desert Crossing) 000 18. Yolanda M. López. Mel Casas Humanscape 51 Expand Favorite. Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. Inventories of American Painting and Sculpture, Art Bridges + Terra Foundation Initiative, Using the Nam June Paik Archive - Access and Hours, Highlights from the Nam June Paik Archive, Online Resources for Researching Nam June Paik, Publication Requests for the Nam June Paik Archive. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. Casas, in conjunction with a signing of art historian Nancy Kelker’s book by the same title. Keep in touch by subscribing to news and updates from SAAM and Renwick Gallery. As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. Titles. Casas’ Humanscape 62 crystallizes many of the recurring concerns featured in Chicano art of the late 1960s and 1970s. I recommended H. 62 (Brownies of the Southwest), and because by that time Mel had given his wife Grace the authority to make decisions concerning his work, the purchase was made. Casas decided it would be his last Humanscape because he had run out of clichés to mock. 723 South Brazos St. San Antonio, TX . "12 His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum,3 and nationally and internationally.4 He is best known for his series of 150 … I did read about his art and spent a fair amount of time thinking about his well-known Humanscape 62. Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. Dimensions 72 × 96 in. Casas got the idea for the Humanscape series in 1965, when he drove past a drive-in theater. Mel Casas’ Humanscape 87. The McNay curators thought so highly of Mel Casas that they added yet another selection of only his work— Mel Casas: Human— which they placed in the downstairs exhibit space. Cordova’s series focuses exclusively on the artist’s 6-foot-by-8-foot works. The Guadalupe Cultural Arts Center . Movies. San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. Encontre parkas, casacos de inverno, sobretudos, casacos de ganga, blusões acolchoados e mais. With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular culture, psychology, gender studies, and issues of social justice. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, and nationally and internationally. The Cinematic Genesis of the Mel Casas Humanscape, 1965-1967. Undocumented 000 15. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. Join Facebook to connect with Mel Casas and others you may know. Courtesy San Antonio College Show More Show Less 3 of 10 "Humanscape 62 (Brownies of the Southwest)," a 1970 painting by Mel Casas, will become … E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. The 153 paintings that San Antonio-based artist Mel Casas calls Humanscapes were inspired by a glimpse of a drive-in movie screen. As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular culture, psychology, gender studies, and issues of social justice. 000 14. An influential artist, theo Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 135: #2 Mexican Plate (1984), Acrylic on canvas, 72 × 96 in Casas, identified by his full given name, Melesio, is represented by Humanscape 62 from 1970, also called Brownies of the Southwest after its painted … This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. Humanscape 62 (Brownies of the Southwest) 000 13. His "Brown Paper Report" I recommended H. 62 (Brownies of the Southwest), and because by that time Mel had given his wife Grace the authority to make decisions concerning his work, the purchase was made. Melesio “Mel” Casas, the artist of the acrylic “Humanscape 62” (1970), served in the Korean War is originally from El Paso.He was like many American artists interested in abstraction. Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. Humanscape - An Exhibition in Tribute to Mel Casas By Office of University Communications Tuesday, 05 26 2015. IMAGE 3: MEL CASAS, HUMANSCAPE 62, 1969. “Our America: The Latino Presence in American Art:” A Radical Proposal` The first juxtaposition in the lecture by E. Carmen Ramos that introduced “Our America,” an exhibition at the Smithsonian American Art Museum, told the story she wanted to tell: the 1986 painting by Frank Romero of the police shooting of Rubén Salazar in 1970 next to “Washington Crossing the Delaware.” What place does the term "Latino" hold in American art history? Available for sale from Ruiz-Healy Art, Mel Casas, Visual Scent (1999), Acrylic on canvas, 24 × 24 in For more information, go to www.tamusa-ecac.com. 000 16. It explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture. Getting the Big Picture: Mel Casas and the Politics of the 1960s and 1970s This site uses cookies to improve your experience and to help show ads that are more relevant to your interests. Compre blusões e casacos para homem na H&M. Mel Casas, Self: The Chicano Collection. Mel Casas’s pun-laced Humanscape 62 combines elements familiar to many Americans: brownie desserts and a young Girl Scout (a Brownie), with traditional Mexican imagery. Humanscape 51; Date 1969. Casas was also well known as a writer and theorist. It will be in the “Pop América” show at the McNay. The exhibit includes six of Casas’ famous Humanscape series, of which he made 150. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes. This episode looks at the painting Humanscape 62 by Melesio Casas. Photo: MEL CASAS / … (182.9 × 243.8 cm) Credit Line Bequest of Robert H. Wilson, Jr. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. Smithsonian American Art Museum and Renwick Gallery, Melesio Casas, Humanscape 62, 1970, acrylic on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2012.37, © 1970, the Casas Family. BROWNIES OF THE SOUTHWEST Humanscape 62 72" X 96" 1970. Menu. All public programs are online only, on-site public tours and events are currently suspended. Casas clearly was in tune with the art movements of the 1960s, and had mastered formalism, Pop art, and conceptual art by the end of that decade. Cordova’s series focuses exclusively on the artist’s 6-foot-by-8-foot works. mel casas contemporary hispanic chicano modern artist NOTICE: All paintings represented on this site are the original work of Mel Casas. Cordova, Ruben C. Aztlan: A Journal of Chicano Studies, v36 n2 p51-87 Fall 2011. I never had the good fortune of meeting Mel Casas in person. The exhibition is drawn entirely from the Smithsonian American Art Museum's pioneering collection of Latino art. Mel Casas. Melesio "Mel" Casas was a Chicano artist, activist, writer and teacher. 1 of 30 S.A. residents attended the opening of SEX & CINEMA with Mel Casas, featuring the late artist's Humanscape paintings at the FL!GHT in the Blue Star Arts Complex on June 25, 2015. In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. Humanscape 62, 1970, Mel Casas, Smithsonian American Art Museum . Mel Casas, “Humanscape 68 (Kitchen Spanish)” (1973), 72″ x 96″, acrylic/canvas. This pop art style-blend illustrates the Chicano experience to American culture and creates a … New art exhibition coming to Centro de Artes June 11-Sept. 27. In Casas’ hands Pop Art became a vehicle for cultural, social and political commentary from a Chicano point-of-view. This exhibition is organized by Bianca Alvarez, Semmes Foundation Intern in Museum Studies, 2017-2018, for the McNay Art Museum. Melesio “Mel” Casas, Humanscape 62, 1970, acrylic, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. Chicano artist Melesio "Mel" Casas was protesting the same kind of stereotyping when he painted Brownies of the Southwest (Humanscape 62) in 1970. There is also another Casas Humanscape painting that is currently on display in San Antonio. Some might wonder: what makes this painting so iconic? But Casas was not just a painter. IMAGE 2: MEL CASAS, HUMANSCAPE 63, 1969. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." Mel Casas is on Facebook. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, and nationally and internationally. This painting is divided into three different sections: the large screen image, which recalls old-fashioned televisions. Maceo Montoya. November 23, 2017 November 30, 2017 by ojodevenadocinema, posted in Chicano Art. He is best known for his series of 150 large-scale paintings called "Humanscapes" that were painted between 1965 and 1989. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 94: Art Lures (1978), Acrylic on canvas, 72 × 96 in Eliot Elisofon Photographic Archives, African Art, Assistant Secretary for Communications and External Affairs, Gran exposición explora el arte latino moderno y contemporáneo desde el 25 de octubre en el Museo de Arte Americano del Smithsonian, Smithsonian American Art Museum Exhibition of Modern and Contemporary Latino Art Begins National Tour, Major Exhibition To Explore Modern and Contemporary Latino Art Opens at the Smithsonian American Art Museum Oct. 25, “Nuestra América: la presencia latina en el arte estadounidense” Se inaugura el 25 de octubre en el Museo de Arte Americano del Smithsonian. Rupert García. 5 of 10 Humanscape 70 (Comic Whitewash), left, Humanscape 68 (Kitchen Spanish) and Humanscape 65 (New Horizons) are part of the show "Getting the Big Picture: Mel Casas and the Politics of … It was remodelled completely in 2017. Such influences are evident in his best known work, "Humanscape 62: Brownies of the Southwest" (1970), where a plate of chocolate brownies is shown as a pejorative reference to skin color on a panoramic drive-in movie screen that serves as a backdrop to a variety of stereotypical Latinos and Native Americans. The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art. Who's the Illegal Alien, Pilgrim? In this series, E. Carmen Ramos, curator of Latino art, discusses the exhibition Our America: The Latino Presence in American Art at the Smithsonian American Art Museum. All public programs are online only, on-site public tours and events are currently suspended. Casas, in conjunction with a signing of art historian Nancy Kelker’s book by the same title. For example, Kelker demonstrates how Casas’ "Humanscape 16" features four identical young female moviegoers who readily abandon their personal uniqueness and sense of beauty by replicating the look and mannerisms of the bleach blonde, big sunglasses wearing bombshell on the screen. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." Malaquias Montoya. IMAGE 2: MEL CASAS, HUMANSCAPE 63, 1969. Humanscape 141 72" X 96" 1987. Bajo el Mismo Sol 000 17. Humanscape 62 . Here, he depicts a large plate of yummy brownies as they might appear in a television commercial. Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. Until very recently, Casas painted tirelessly throughout the decades. 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