It’s interesting to note the enharmonic modal scale degrees that make up the triads. Then, have fun playing around with the chords. Use the form below to select one or more scales, hit "Go", and the harmonizer will tell you what chords will sound good when played with the selected scales. But did you know that it's possible to transform these chords into great sounding melodies and basslines easily? Alternative names: Mixolydian flat 9 flat 13, Phrygian Major, Balkan, Spanish Gipsy, Ahava Rabah, Mixolydian b2 b6 It starts from the fifth grade of harmonic minor scale To make things easy to conceptualize, we’ll cover the chords of the specific C Harmonic Minor Scale. Each mode is built starting on a different scale degree of the Scale itself. If you look at the A harmonic minor scale and the key of A minor then the G#dim is a dominant chord that wants to resolve to the tonic. The “difficult” dim chord Notice how there are 4 of them in our list of seventh chords above, and that they all contain the same notes? Let’s get into building chords with tertian harmony! Starting with The Tertian Chords of The Harmonic Minor Scale See what you come up with, there are definitely some awesome chords I have failed to mention. So the 6 diatonic major/minor chords for the key of C major/A minor are: 3 major chords: 1.) Chord Search and Index 8. You could use B7b9 which would use C and still be able to use Harmonic Minor over it. The harmonic minor scale is similar to the natural minor except for a raised seventh. In A, it’s an Em chord: E, G, and B. For example, the C Harmonic Minor scale contains the B natural note. At FeelYourSound, we created a MIDI plug-in that does exactly that. Using the Harmonic Minor in Guitar Leads Whenever the V chord in minor appears as a Major triad or Dominant Seventh chord and its resolving to to the I- chord. It has a minor 3rd and a minor 6th, with two tritone intervals buried within and a creepy leading tone/augmented 2nd combination. Made of the following notes: C         D        E♭     F         G         A ♭    B. The Harmonic Minor Scale provides us with all four types of triad: diminished (dim), minor (min), major (maj), and augmented (aug). Try harmonizing, arpeggiating, and composing with the chords above and experiment with building more of the 35 total 4-note chords . These are called symmetrical chords and they’re pretty cool! Because the parent harmonic minor scale of the minor ii-V-I contains the third of the dominant 7th chord. We’ll notice as well that there are 3 augmented chords (E♭,  G, and B) that all contain the same notes. The only difference between the natural minor and the harmonic minor is the major 7. taken from the natural minor. Let’s move on to the next minor scale: the harmonic minor. Guitar Chord Information for: Dsus4 - D suspended fourth 9. Just as you did with the triads in the previous week, notice which chords are shared between the A harmonic and melodic minor scales, and which are different. The Harmonic Minor Scale is slightly different from a major scale, a natural minor scale and a mode, as it doesn’t natural exist in terms of the piano white notes. the key of A harmonic minor. Or, Alternatively by the following intervals: w-h-w-w-h-wh-h … The tones in these chords correspond to the tones of the C Harmonic Minor scale in which Cm is the tonic triad and CmM7 the tonic 7th chord. The Harmonic Minor Scale differs from the Major Scale by its ♭3 and ♭6. The modes are a very useful tool for building chords since each mode presents a scale degree as a “tonic,” making it easy to see the potential tertian and non-tertian chords. The Harmonic Minor Scale yields 12 tertian seventh chords. It's common therefore to see something like i - iv - V7 Tip: Over the V chord, the emphasis is on harmonic minor's major 7th tone (7), because this becomes the major 3rd of the V chord - a strong target note for harmonization. For example, in the key of A minor, the V7 chord is E7 (the note E is seven frets up from A). So, without further ado, let’s build the chords of the Harmonic Minor Scale! Although the Harmonic Minor scale doesn’t quite fit the bill for our functional, diatonic harmony, it’s still pretty functional in music. The most common use for the harmonic minor scale is over the V dominant 7th chord (referred to as V7) in a minor key. In this lesson, we’ll compare a few “minor-ish” scales, and talk about a new synthetic scale A new scale created from altering the common diatonic scale. B9 – B D# A D C# F# – this one comes from the Melodic Minor Scale so if you use this chord simply raise the 6th degree (the C) up a half step to C#. 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